The exhibition "publiziert" focuses on the tense relationship between the artwork and its reproduction in art publications. It shows that reproductions are not neutral images of reality, but create their own meanings through selection and design. Based on Walter Benjamin's concept of the auratic, it examines how the effect of artworks changes through reproduction and thus influences perception. Another focus is on personal text contributions by owners and recipients who reflect on their individual relationship to art publications and report on personal meaning and appreciation.


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