From the early 1890s to the early 1910s, the transition from Realism to Symbolism is accomplished within the work of Luigi Rossi. The broad figurations of life in the fields stand in relation to the painting of Jules Breton, already admired in 1878 at the Universal Exhibition in Paris. The two artists shared the same calm acceptance of the decline of peasant civilization, with serenity in a melancholy and ideal attitude.


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